Spring Special Exhibition

March 15 - June 8
Timeless Beauty
Kana Calligraphy and Heian Court Art
In ancient Heian times (794–1185), Japan adopted Buddhism and the administrative and civil codes based on Chinese models, and over time discontinued sending envoys to the continent to begin its own cultural journey. As Japan progressed in its own style of clothing, food, and lifestyle, a distinctive expression of Japanese poetry and cursive script, hiragana, came to be created, leading to the blossoming of a court culture that has become synonymous to Japan’s sense of beauty. This culture faded as the samurai class rose to prominence, but it continued to be passed down and evolved into the object of admiration again in the new era of peace under the Tokugawa shogunate.
This exhibition, featuring Miho Museum’s Higurashi Album for the first time, explores the beauty of the Japanese kana script. Now in the format of hanging scrolls, this work was formerly compiled as a tekagami—an album of fragments of exemplary calligraphy that served as a model for aspiring calligraphers—by the art connoisseur Yoshida Tanzaemon. Later it was owned by entrepreneur Yasuda Zenjirō (1838–1921), before passing into the hands of Sugawara Tsūsai (1894–1981), the president of a railway company, who carefully selected thirty-one folios and had them remounted as hanging scrolls on the occasion of his beloved wife’s 13th memorial. The thirty-one hanging scrolls include celebrated calligraphic fragments from the peerless Kōya edition, the Toganoo edition decorated with exquisite gold-and-silver floral and bird motifs, and the elegant Ishiyama edition, based on arranging the skilled calligraphers in the 5-7-5-7-7 syllable structure of classical Japanese. In addition to the Higurashi Album, this exhibition presents Miho Museum’s collection of decorative artworks, Buddhist art, Rinpa-style screens of the Tale of Genji, paintings of immortal poets, and other works that reflect Heian court culture from its inception to aspirations towards it in the early Momoyama period (1573–1615).
Please enjoy the essence of the refined beauty and miyabi, elegance, left to us by the residents of the ancient capital.
Information
- Exhibition Term
- March 15, 2025 - June 8, 2025
- Open Hours
- 10:00 am to 5:00 pm (last entry: 4:00 pm)
- Closed Days
- Every Monday (or next business day if Monday is a national holiday)
- Admission Fees
- [Adults] 1,300 yen [High school/university students] 1,100 yen [Elementary/junior high school students] Free
Prices include access to all exhibits.
- Venue
- North Wing
- Audio Guides
- There
※Objects are subject to change during exhibition period.
Exhibition Highlights

Fragment of the Illustrated Sutra of Cause and Effect (E-ingakyō), Scroll 4, Part 1
Nara period, 8th century

Gigaku Mask: Karura
Nara period, 8th century

Kōya-gire, attributed to Ki no Tsurayuki
Heian period, 11th century

Album of Textile Fragments
Album: Edo to Meiji period, 19th century; textile: Edo period, 17th–19th century

Cypress Fan
Muromachi period, 14th–15th century

Scene from the “Torinoko” Chapter of The Tales of Ise, attributed to Tawaraya Sōtatsu
Edo period, 17th century

Tiles with Waka Poem Designs, Kenzan ware
Edo period, 18th century

Moon-Viewing at Ishiyamadera Temple, by Tosa Mitsuoki
Edo period, 17th century
Exhibition Galleries
Spring Special Exhibition
Timeless Beauty
Kana Calligraphy and Heian Court Art
Exhibits
North Wing
Spring Special Exhibition
Timeless Beauty
Kana Calligraphy and Heian Court Art
Please click here for the list of works.
1 The Arrival of Continental Culture
-
Great Perfection of Wisdom Sutra (Daihannya-haramitta-kyō), known as “Yakushiji-kyō,” Scroll 157
-
Gigaku Mask Karura (Garuda)
-
Buddha at Birth
-
Hand Drum Body
-
Inkstone
-
Ash Glazed Dish
-
Ash Glazed Dish
-
Inkstone
-
Fragment of a Duck-Shaped Inkstone
-
Inkstone
-
Sovereign Kings of the Golden Light Sutra (Konkōmyō-saishōō-kyō), Scroll 2
-
Fragment of the Illustrated Sutra of Cause and Effect (E-inga-kyō), Scroll 4, Part 1
-
Fragment of Sutra of the Wise and Foolish (Kengu-kyō), known as “Ōjōmu,” Scroll 10
-
Ewer
-
Short Necked Jar
2 The Path to Heian Court Culture
-
Standing Bodhisattva
-
Standing Kannon-Bosatsu (s:Avalokitesvara)
-
Seated Deity with Eleven Heads
-
Child as Protector of a Deity
-
Shasuiki Lidded Bowl
-
Zukoki Lidded Bowl
-
Rokki Bowl and Saucer
-
Bowl with Rolled Rim
-
Tea Container with Green Glaze, known as AOGAKI
-
Seated Deity in the Guise of a Priest
-
Globular Censer
-
Flat Quiver with Phoenix and Hōsōge Floral Motifs
-
Seated Amida Nyorai
-
Amitabha
-
Scroll of the Buddhist Cannon, known as Jingoji Sutra
-
Sutra wrapper
-
“The Former Deeds of Bodhisattva Medicine King,” Chapter 23 of the Lotus Sutra
-
Sutra Jar
-
Sutra Container
-
Fragment of the Lotus Sutra (Hokke-kyō) Decorated with Jeweled Pagodas, known as “Togakushi-gire”
-
Lotus Sutra (s: Saddharma-pundarika Sutra), Volume 8
-
Sutra wrapper
-
Sutra Jar
-
Reproduction of Heike Nokyo Sutra: 10. “Hosshinhon,” by Tanaka Shinbi
3 The Beauty of Kana and the Higurashi-jō Scrolls
-
Fragment of the Genryaku Kohon Version of the Man'yoshu
-
Fragment of Poem Anthology Zoku-Kokinwakashu, known as ROKUJOGIRE attributed to Fujiwara no Yukinari
-
Fragment of Poem Anthology Reikashu, known as KOUSHIGIRE
-
Fragment of Scroll 4 of the Katsura Version of the Man'yoshu (Toganoo-gire)
-
Ishiyama-gire, Tsurayukishū vol. 2
-
Kōya-gire, Type 1
-
Naniwa-gire
-
Ranshibon Man’yōshū-gire
-
Hari-gire
-
Ishiyama-gire, Iseshū
-
Yamana-gire
4 Chanoyu and Kohitsu Calligraphy
-
Tea Scoop, named "Buji Buji," by Takuan Sōhō
-
Shinnari Kettle with Moonflower Design
-
Album of Textile Fragments
-
Incense Container of Kai-awase Shells
-
Poems from Kokin wakashu, known as“Sunshoan Shikishi”
-
Mizusashi Fresh Water Jar
-
Chaire Tea Container with Lugs, named “Honda”
-
Chaire Tea Container with Lugs
-
Chaire Tea Container with Horizontal Lines, named “Ōmiyabito”
-
Kōetsu Teabowl
-
Tenmoku Teabowl
-
Low Cylindrical Teabowl
-
Letter by Kobori Enshū
5 Daily Life in the Heian Court
-
Fragment of Choju jinbutsu giga (Frolicking Animals and Figures), ko scroll
-
Bugaku Dance Mask: Ryōō
-
Inkstone Box with Design of Salt Makers and Plovers
-
Large Drum Cylinder with Bag Motif Makie Decoration
-
Drum Body with Lotus Pond Design
-
Writing Desk with Ivy-Covered Path Design
-
Kochō Dance Wings
-
Cypress Fan
-
Koōigimi, from “Portraits of Thirty-Six Immortal Poets”
-
Tebako Cosmetics Box with Chrysanthemum Design
-
Scenes from The Tale of Genji
-
Pair of Standing Hina Dolls
6 The Enduring Appeal of Court Culture
-
Album of “Portraits of Thirty-Six Female Immortal Poets”
-
Album of Textile Fragments, “Kanshō shifu”
-
Waka Poems with Pines, by Cloistered Imperial Prince Sonchō; underdrawing attributued to Tawaraya Sōtatsu
-
Scene from the “Torinoko” Chapter of The Tales of Ise, Attributed to Tawaraya Sōtatsu
-
Preface of Senzai wakashū Poetry Anthology
-
Fragment from Shinkokin wakashū Poetry Anthology
-
“The Wormwood Patch” from The Tale of Genji, attributed to Tawaraya Sōtatsu
-
Scene from the “Yamashina no Miya” Chapter of The Tales of Ise, Attributed to Tawaraya Sôtatsu
-
Sutra Box with Design of the Moon over the Mountains, By Hon’ami Koetsu
-
Inkstone Box with Japanese Cypress and Deer Design, Attributed to Hon’ami Koetsu
-
Illustrated Scrolls of The Tale of Genji, by Sumiyoshi Gukei
-
Tanzaku with Waka Poem, Calligraphy by Hon’ami Kōetsu; design by Tawaraya Sōtatsu