春季特別展

3月15日(周六) - 6月8日(周日)
优美的书法文字―对平安时代的优美及王朝文化的憧憬―
自古以来的日本是效仿大陆文化,经由佛教和律令而发展起来的。废除了驻华使节后,开始边与大陆交流,并走向日式化之路,致使表达出日本独特情感的和歌及平假名之诞生,可说是代表了日本审美意识的王朝文化之花朵绽放了。
这种文化虽然随着武士阶级之兴起而日渐没落,但随着太平时代的来临,再度被永续传承,并转化为一种憧憬。
本次展览是MIHO MUSEUM所藏之《日暮帖》首次在本馆的展出。 《日暮帖》原本是近代爱好和歌、茶道之人吉田丹左卫门作为手鉴用的。
之后传承到创立常盘山文库的菅原通济(一八九四~一九八一)手中,并配合他已故妻子去世十三周年,将他收藏的和歌切再次编辑,将它们制作成挂轴,而成为了『日暮帖』。可說是古書法斷簡最高峰的「高野切」,以及在和式紙張上以金銀泥來描繪的花鳥紋及花草紋的「栂尾切」,體現了平安時代優雅的「石山切」等等,收藏有書法著名的能者五・七・五・七・七長音定型化的短歌三十一幅。除了这个「日暮帖」,还包括MIHO MUSEUM收藏的作品,可观看到从平安贵族文化诞生到桃山时代初期对王朝文化憧憬下所交织的作品。
我们希望您能感受到那残留至今的风雅之人被洗练过的美丽气息之「优雅」。
主要作品

绘因果经巻第四上(二十五行)
奈良时代 8世纪

伎乐面・迦楼罗
奈良时代 8世纪

高野切・伊势集 日暮帖收录
平安时代 11世纪

观象私谱(部分)
江戸-明治时代 17-19世纪

桧扇
室町时代 14-15世纪

伊势物语图色纸 传俵屋宗达笔
江戸时代 17世纪

色绘和歌陶板 干山作
江戸时代 18世纪

石山寺观月图 土佐光起笔
江戸时代 17世纪
展示場所
Spring Special Exhibition
Timeless Beauty
Kana Calligraphy and Heian Court Art
展示作品
北馆
Spring Special Exhibition
Timeless Beauty
Kana Calligraphy and Heian Court Art
详情请查看换展日程表。
1 The Arrival of Continental Culture
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Great Perfection of Wisdom Sutra (Daihannya-haramitta-kyō), known as “Yakushiji-kyō,” Scroll 157
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Gigaku Mask Karura (Garuda)
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Buddha at Birth
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Hand Drum Body
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Inkstone
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Ash Glazed Dish
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Ash Glazed Dish
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Inkstone
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Fragment of a Duck-Shaped Inkstone
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Inkstone
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Sovereign Kings of the Golden Light Sutra (Konkōmyō-saishōō-kyō), Scroll 2
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Fragment of the Illustrated Sutra of Cause and Effect (E-inga-kyō), Scroll 4, Part 1
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Fragment of Sutra of the Wise and Foolish (Kengu-kyō), known as “Ōjōmu,” Scroll 10
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Ewer
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Short Necked Jar
2 The Path to Heian Court Culture
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Standing Bodhisattva
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Standing Kannon-Bosatsu (s:Avalokitesvara)
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Seated Deity with Eleven Heads
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Child as Protector of a Deity
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Shasuiki Lidded Bowl
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Zukoki Lidded Bowl
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Rokki Bowl and Saucer
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Bowl with Rolled Rim
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Tea Container with Green Glaze, known as AOGAKI
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Seated Deity in the Guise of a Priest
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Globular Censer
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Flat Quiver with Phoenix and Hōsōge Floral Motifs
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Seated Amida Nyorai
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Amitabha
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Scroll of the Buddhist Cannon, known as Jingoji Sutra
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Sutra wrapper
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“The Former Deeds of Bodhisattva Medicine King,” Chapter 23 of the Lotus Sutra
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Sutra Jar
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Sutra Container
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Fragment of the Lotus Sutra (Hokke-kyō) Decorated with Jeweled Pagodas, known as “Togakushi-gire”
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Lotus Sutra (s: Saddharma-pundarika Sutra), Volume 8
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Sutra wrapper
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Sutra Jar
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Reproduction of Heike Nokyo Sutra: 10. “Hosshinhon,” by Tanaka Shinbi
3 The Beauty of Kana and the Higurashi-jō Scrolls
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Fragment of the Genryaku Kohon Version of the Man'yoshu
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Fragment of Poem Anthology Zoku-Kokinwakashu, known as ROKUJOGIRE attributed to Fujiwara no Yukinari
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Fragment of Poem Anthology Reikashu, known as KOUSHIGIRE
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Fragment of Scroll 4 of the Katsura Version of the Man'yoshu (Toganoo-gire)
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Ishiyama-gire, Tsurayukishū vol. 2
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Kōya-gire, Type 1
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Naniwa-gire
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Ranshibon Man’yōshū-gire
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Hari-gire
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Ishiyama-gire, Iseshū
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Yamana-gire
4 Chanoyu and Kohitsu Calligraphy
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Tea Scoop, named "Buji Buji," by Takuan Sōhō
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Shinnari Kettle with Moonflower Design
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Album of Textile Fragments
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Incense Container of Kai-awase Shells
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Poems from Kokin wakashu, known as“Sunshoan Shikishi”
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Mizusashi Fresh Water Jar
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Chaire Tea Container with Lugs, named “Honda”
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Chaire Tea Container with Lugs
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Chaire Tea Container with Horizontal Lines, named “Ōmiyabito”
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Kōetsu Teabowl
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Tenmoku Teabowl
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Low Cylindrical Teabowl
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Letter by Kobori Enshū
5 Daily Life in the Heian Court
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Fragment of Choju jinbutsu giga (Frolicking Animals and Figures), ko scroll
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Bugaku Dance Mask: Ryōō
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Inkstone Box with Design of Salt Makers and Plovers
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Large Drum Cylinder with Bag Motif Makie Decoration
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Drum Body with Lotus Pond Design
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Writing Desk with Ivy-Covered Path Design
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Kochō Dance Wings
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Cypress Fan
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Koōigimi, from “Portraits of Thirty-Six Immortal Poets”
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Tebako Cosmetics Box with Chrysanthemum Design
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Scenes from The Tale of Genji
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Pair of Standing Hina Dolls
6 The Enduring Appeal of Court Culture
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Album of “Portraits of Thirty-Six Female Immortal Poets”
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Album of Textile Fragments, “Kanshō shifu”
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Waka Poems with Pines, by Cloistered Imperial Prince Sonchō; underdrawing attributued to Tawaraya Sōtatsu
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Scene from the “Torinoko” Chapter of The Tales of Ise, Attributed to Tawaraya Sōtatsu
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Preface of Senzai wakashū Poetry Anthology
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Fragment from Shinkokin wakashū Poetry Anthology
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“The Wormwood Patch” from The Tale of Genji, attributed to Tawaraya Sōtatsu
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Scene from the “Yamashina no Miya” Chapter of The Tales of Ise, Attributed to Tawaraya Sôtatsu
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Sutra Box with Design of the Moon over the Mountains, By Hon’ami Koetsu
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Inkstone Box with Japanese Cypress and Deer Design, Attributed to Hon’ami Koetsu
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Illustrated Scrolls of The Tale of Genji, by Sumiyoshi Gukei
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Tanzaku with Waka Poem, Calligraphy by Hon’ami Kōetsu; design by Tawaraya Sōtatsu